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Aharon Adani, Eden Yona, Moran Lee Yakir, Shir Cohen, Ehud Pecker, Eldar Krainer, Ami Raviv, Ronen Raz

Exhibition:

Aug

2024

Northern gallery

Curator: Ido Cohen

Aharon Adani, Eden Yona, Moran Lee Yakir, Shir Cohen, Ehud Pecker, Eldar Krainer, Ami Raviv, Ronen Raz
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ื‘ื™ื•ื’ืจืคื™ื•ืช ืืžื ื™ื:

ืขื“ืŸ ื™ื•ื ื” ื”ื™ื ืืžื ื™ืช ืจื‘ ืชื—ื•ืžื™ืช ื”ื—ื™ื” ื•ื™ื•ืฆืจืช ื‘ื ื™ื• ื™ื•ืจืง. ื‘ื•ื’ืจืช (BFA) ื‘ื™ืช ื”ืกืคืจ ืœืืžื ื•ืช ืจื‘-ืชื—ื•ืžื™ืช, ืฉื ืงืจ, ืจืžืช-ื’ืŸ (2023). ื”ืฆื™ื’ื” ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช, ื‘ื™ืŸ ื”ื™ืชืจ ื‘ื’ืœืจื™ื™ืช "ื”ื‘ื•ืจืกื”" ื‘ืฉื ืงืจ, ืจืžืช-ื’ืŸ (2021), ืจื™ืฉื•ื ื‘ืชื ื•ืขื” ื‘"ืชื“ืจ", ืชืœ-ืื‘ื™ื‘ (2022), ืคืจืคื•ืจืžื ืก ื‘ื’ืœืจื™ื” ื‘ื ื™ืžื™ืŸ ื‘ืชืœ ืื‘ื™ื‘ (2023).

ืขืžื™ ืจื‘ื™ื‘, ื™ืœื™ื“ 1975, ื‘ื•ื’ืจ ื”ืืงื“ืžื™ื” ืœืืžื ื•ื™ื•ืช "ื”ืžื“ืจืฉื”" ื•ืชื›ื ื™ืช ื”ื”ืžืฉืš ืฉืœ ื”ืืงื“ืžื™ื” ืœืืžื ื•ืช ื•ืขื™ืฆื•ื‘ ื‘ืฆืœืืœ, ื™ืจื•ืฉืœื™ื. ื–ื•ื›ื” ืคืจืก ืงืจืŸ ื”ืชืจื‘ื•ืช ืืžืจื™ืงื”-ื™ืฉืจืืœ (2001-2002) ื•ืงืจืŸ ืžืคืขืœ ื”ืคื™ืก ืœืืžื ื•ื™ื•ืช (2006). ืจื‘ื™ื‘ ื”ืฆื™ื’ ื‘ืชืขืจื•ื›ื•ืช ื™ื—ื™ื“ ื•ืงื‘ื•ืฆืชื™ื•ืช ืจื‘ื•ืช ื‘ื™ืฉืจืืœ ื•ื‘ื—ื•"ืœ, ื”ืื—ืจื•ื ื” ืฉื‘ื”ืŸ ืชืขืจื•ื›ืช ื”ื™ื—ื™ื“ "ืฉืงื™ืขื•ืช" ื‘ืžื•ื–ื™ืื•ืŸ ืคืชื—-ืชืงื•ื” ืœืืžื ื•ืช ืขื›ืฉื•ื•ื™ืช (2023, ืื•ืฆืจืช: ืื™ืจื ื” ื’ื•ืจื“ื•ืŸ). ืขื‘ื•ื“ื•ืชื™ื• ื›ืœื•ืœื•ืช ื‘ืžืกืคืจ ืื•ืกืคื™ื ืคืจื˜ื™ื™ื ื•ืฆื™ื‘ื•ืจื™ื™ื.

ืื”ืจื•ืŸ ืื“ื ื™ ื”ื•ื ืคืกืœ ื™ืœื™ื“ ื™ืจื•ืฉืœื™ื, 1952, ื—ื‘ืจ ืงื™ื‘ื•ืฅ ื ื—ืฉื•ืŸ. ืœืžื“ ื‘ืžื—ืœืงื” ืœืืžื ื•ืช ื‘ืืงื“ืžื™ื” ืœืืžื ื•ืช ื•ืขื™ืฆื•ื‘ ื‘ืฆืœืืœ ื‘ื™ืจื•ืฉืœื™ื (1977-1979) ื•ื‘ืกื“ื ื ืฉืœ ืื ื” ื”ืœืคืจื™ืŸ ื‘ืกืŸ ืคืจื ืกื™ืกืงื• (1979). ืœืžืŸ ืฉื ื•ืช ื”-80 ืžืฆื™ื’ ืื“ื ื™ ืชืขืจื•ื›ื•ืช ื™ื—ื™ื“ ื•ื”ืฉืชืชืฃ ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช ืจื‘ื•ืช ื‘ื’ืœืจื™ื•ืช ื•ืžื•ื–ื™ืื•ื ื™ื ื‘ืจื—ื‘ื™ ื”ืืจืฅ. ืคืกืœื™ ื—ื•ืฆื•ืช ืฉืœื• ื ืžืฆืื™ื ื‘ืชืœ-ืื‘ื™ื‘, ืจืขื ื ื”, ืชืœ-ื—ื™ ื•ืžืขืœื” ืื“ื•ืžื™ื ื•ืขื‘ื•ื“ื•ืชื™ื• ื›ืœื•ืœื•ืช ื‘ืื•ืกืคื™ ืžื•ื–ื™ืื•ืŸ ืชืœ ืื‘ื™ื‘ ืœืืžื ื•ืช ื•ืžื•ื–ื™ืื•ืŸ ื™ืฉืจืืœ ื‘ื™ืจื•ืฉืœื™ื.

ืžื•ืจืŸ ืœื™ ื™ืงื™ืจ (ื . 1979) ืืžื ื™ืช ืžื™ืฆื‘ ื•ืคื™ืกื•ืœ, ื—ื™ื” ื•ื™ื•ืฆืจืช ื‘ืชืœ ืื‘ื™ื‘. ื‘ื•ื’ืจืช ืชื•ืืจ ืจืืฉื•ืŸ ื‘ื”ืฆื˜ื™ื™ื ื•ืช ื‘ืžื—ืœืงื” ืœืขื™ืฆื•ื‘ ืงืจืžื™ ื•ื–ื›ื•ื›ื™ืช ื•ื”ืชื•ืืจ ื”ืฉื ื™ ื‘ืžื—ืœืงื” ืœืืžื ื•ืช ื‘ื‘ืฆืœืืœ, ื™ืจื•ืฉืœื™ื. ื–ื•ื›ืช ืžืœื’ืช ืขื•ื–ืจืช ืžื—ืงืจ ื‘ืžื—ืœืงื” ืœืขื™ืฆื•ื‘ ืงืจืžื™ ื•ื–ื›ื•ื›ื™ืช ื‘ื‘ืฆืœืืœ ื•ื‘ืคืจืก ื‘ืœื•ืžื ื˜ืœ ืœืขื‘ื•ื“ืช ื’ืžืจ ืžืฆื˜ื™ื™ื ืช. ื”ืฆื™ื’ื” ืชืขืจื•ื›ืช ื™ื—ื™ื“ ืจืืฉื•ื ื” "ืชื—ื–ืจื™ ืื ื™ ืฆืจื™ื›ื” ืœืœื›ืช" ื‘ืžืฉื›ืŸ ื”ืืžื ื™ื ื”ืจืฆืœื™ื” ื•ื”ืฉืชืชืคื” ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช, ื‘ื™ืŸ ื”ืฉืืจ ื‘ืžืกื’ืจืช ืคืกื˜ื™ื‘ืœ ืžื ื•ืคื™ื ื•ืžื’ื–ื™ืŸ ื”ืจืžื” ื‘ื ื•ืฉื "ืื—ื•ืช, ืื—ื•ืช", ื‘ืžื•ื–ื™ืื•ืŸ ืจื•ืงืคืœืจ ื™ืจื•ืฉืœื™ื ื•ื‘ืžืกื’ืจืช ืฉื‘ื•ืข ื”ืขื™ืฆื•ื‘ ื‘ื‘ื™ืช ื”ื ืกืŸ ื‘ื™ืจื•ืฉืœื™ื.

ืืœื“ืจ ืงืจื™ื™ื ืจ (ื . 1992, ื—ื™ืคื”) ื”ื•ื ืคืกืœ ื”ื—ื™ ื•ื™ื•ืฆืจ ื‘ืœื•ื ื“ื•ืŸ. ืกื™ื™ื ื‘ื”ืฆื˜ื™ื™ื ื•ืช ืืช ืœื™ืžื•ื“ื™ ื”ืชื•ืืจ ื”ืฉื ื™ ื‘ืืžื ื•ืช ืžืื•ื ื™ื‘ืจืกื™ื˜ืช ื’ื•ืœื“ืกืžื™ืชืกืณ ื‘ืœื•ื ื“ื•ืŸ, ืื ื’ืœื™ื” (2023) ื•ื‘ืขืœ ืชื•ืืจ ืจืืฉื•ืŸ ื‘ืืžื ื•ืช ืžื‘ืฆืœืืœ ื”ืืงื“ืžื™ื” ืœืืžื ื•ื™ื•ืช ื•ืขื™ืฆื•ื‘, ื™ืจื•ืฉืœื™ื, (2019). ืขื‘ื•ื“ื•ืชื™ื• ื”ื•ืฆื’ื• ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช ืฉื•ื ื•ืช ื‘ื™ื ื™ื”ืŸ ืกื˜ื•ื“ื™ื• ืขืœื™ื™ื” 31 (ืชืดื), ื’ืœืจื™ื™ืช ืกื˜ื•ื“ื™ื• ื•ื•ืกื˜ (ืœื•ื ื“ื•ืŸ), ื’ืœืจื™ื™ืช ืงื•ืคืœื ื“ (ืœื•ื ื“ื•ืŸ), ืžืจื›ื– ืื“ืžื•ื ื“ ื“ื” ืจื•ื˜ืฉื™ืœื“ (ืชืดื), ื•ื‘ืกื“ื ืื•ืช ื”ืืžื ื™ื ื‘ื™ืจื•ืฉืœื™ื. ื‘ื ื•ืกืฃ, ื”ื•ื ื”ืฉืชืชืฃ ื‘ 'The Wrong Biennale'-ื‘-2019 ื•ื‘ืคืกื˜ื™ื‘ืœ ื”ืฉื ืชื™ ืœืงื•ืœื ื•ืข ื•ื•ื™ื“ืื• ืืจื˜ ื‘ืื•ื”ืื•ืก ื‘ื•ื™ื™ืžืืจ, ื’ืจืžื ื™ื” ื‘-2017.

ืจื•ื ืŸ ืจื– ื”ื•ื ืืžืŸ ื™ืœื™ื“ 1964 ื”ื—ื™ ื•ืขื•ื‘ื“ ื‘ื’ื‘ืขืชื™ื™ื. ืจื–, ื”ื—ืœ ืืช ื“ืจื›ื• ื‘ืชื—ื•ื ื”ืื•ืคื ื”, ื•ื”ื•ื ืื ื˜ืžื•ืœื•ื’ ื—ื•ื‘ื‘ ืฉืขืกืง ื‘ืขื‘ืจ ื‘ืžืœืื›ืช ืคื—ืœื•ืฅ ื•ืฉื™ืžื•ืจ ื‘ืขืœื™ ื—ื™ื™ื. ืขื™ืงืจ ื“ืจื›ื• ื”ืœื™ืžื•ื“ื™ืช ืื•ื˜ื•ื“ื™ื“ืงื˜ื™ืช ื‘ืฉื™ืœื•ื‘ ืงื•ืจืกื™ื ื‘ืžื•ื–ื™ืื•ืŸ ืชืœ ืื‘ื™ื‘ ื•ื‘ืžื“ืจืฉืช ื‘ื™ืช ื‘ืจืœ. ืจื– ื”ืฆื™ื’ ืฉืชื™ ืชืขืจื•ื›ื•ืช ื™ื—ื™ื“ ื•ื”ืฉืชืชืฃ ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช ืจื‘ื•ืช, ื‘ื”ืŸ ื’ื ื‘ืžื•ื–ื™ืื•ืŸ ื—ื™ืคื” ืœืืžื ื•ืช. ืขื‘ื•ื“ื•ืชื™ื• ื”ื•ืฆื’ื• ื‘ื’ืœืจื™ื•ืช ื•ื‘ืžื•ื–ื™ืื•ื ื™ื ื‘ืืจืฅ ื•ื‘ืขื•ืœื ื•ื–ื›ื• ื‘ืคืจืกื™ื ื•ื‘ืฆื™ื•ื ื™ื ืœืฉื‘ื—. ื‘ื—ื•ืจืฃ 2017 ื”ืฉืชืชืฃ ืจื– ื‘ืจื–ื™ื“ื ืกื™ ื”ื™ื•ืงืจืชื™ MacDowell Colony, ื‘ื ื™ื• ื”ืžืคืฉื™ืจ, ืืจื”"ื‘. ืขื‘ื•ื“ื•ืชื™ื• ื ื‘ื—ืจื• ืœืžื’ื–ื™ืŸ Artqol ื•ืœืžื’ื–ื™ืŸ ื”ื‘ืจื™ื˜ื™ Art Maze ื•ื ืจื›ืฉื• ืœืื•ืกืคื™ื ืคืจื˜ื™ื™ื ื‘ืืจืฅ ื•ื‘ื—ื•"ืœ.

ืื”ื•ื“ ืคืงืจ ื ื•ืœื“ ื‘ื™ืจื•ืฉืœื™ื ื‘ืฉื ืช 1928 ื•ื ืคื˜ืจ ื‘-2016. ื‘ืฉื ื•ืช ื”-50 ืœืžื“ ื”ื ื“ืกื” ืื–ืจื—ื™ืช ื‘"ื˜ื›ื ื™ื•ืŸ," ื•ืจื™ืฉื•ื ื‘ืžื›ื•ืŸ ืื‘ื ื™ ืืฆืœ ื™ื—ื–ืงืืœ ืฉื˜ืจื™ื™ื›ืžืŸ. ื‘ืชื—ื™ืœืช ืฉื ื•ืช ื”-70 ืœืžื“ ืฆื™ื•ืจ ืืฆืœ ื—ื™ื™ื ืงื™ื•ื•ื” ื•ืจืคื™ ืœื‘ื™ื ื•ืœืžื“ ื•ืขื‘ื“ ื‘ื—ื‘ืจืช ืืžื ื™ื ืฆืขื™ืจื™ื ื›ืžื• ืชืžืจ ื’ื˜ืจ, ืืคืจืช ื ืชืŸ, ื ื—ื•ื ื˜ื‘ืช ื•ืžื™ื›ืœ ื ืืžืŸ. ืคืงืจ ืคืขืœ ืžืกื•ืฃ ืฉื ื•ืช ื”ึพ60 ื•ืขื“ ืžื—ืฆื™ืช ืฉื ื•ืช ื”ึพ70 ื•ื™ืฆืจ ืฆื™ื•ืจื™ื ื’ื™ืื•ืžื˜ืจื™ื™ื ื•ืžื•ืคืฉื˜ื™ื ื•ืื•ื‘ื™ื™ืงื˜ื™ื ืฉืขื™ืžืชื• ืฆื™ื•ืจ ืขื ืคื™ืกื•ืœ ื•ื”ื•ืฉืคืขื• ืžืŸ ื”ืืžื ื•ืช ื”ืžื ื™ืžืœื™ืกื˜ื™ืช. ื”ื•ื ื”ืฆื™ื’ ื‘ืชืขืจื•ื›ื•ืช ืงื‘ื•ืฆืชื™ื•ืช ื•ืขื‘ื•ื“ื•ืชื™ื• ื‘ืœื˜ื• ื•ื–ื›ื• ืœื—ืฉื™ืคื” ื ืจื—ื‘ืช ื‘ืขื™ืชื•ื ื•ืช ื”ืชืงื•ืคื”. ืœืื—ืจ ืžื›ืŸ ื—ื“ืœ ืœื”ืฆื™ื’ ืืš ื”ืžืฉื™ืš ื›ืœ ื”ืขืช ืœืขื‘ื•ื“ ื•ืœื™ืฆื•ืจ. ืœืฆื“ ื”ื™ืฆื™ืจื” ื”ืคืœืกื˜ื™ืช ื›ืชื‘ ืฉื™ืจื”, ื”ืœื—ื™ืŸ ืžื•ื–ื™ืงื” ื•ืคื™ืชื— ืžืฉื—ืงื™ ื—ืฉื™ื‘ื”. ืฉื™ืจื™ื• ืคื•ืจืกืžื• ื‘ื™ืŸ ื”ื™ืชืจ ื‘ื›ืชื‘ ื”ืขืช "ืขื™ืชื•ืŸ 77". ื‘ืฉื ืช 2014 ืฉื—ื–ืจ ืืช ืคืกืœื• "ื”ื’ื“ืจืช ื”ืคื™ืจืžื™ื“ื”" ื•ืชืจื ืื•ืชื• ืœืžื•ื–ื™ืื•ืŸ ืชืœ ืื‘ื™ื‘. ื”ืคืกืœ ื”ื•ืฆื’ ืœืฆื“ ืขื‘ื•ื“ื” ื ื•ืกืคืช ืฉืœื• ื‘ืชืขืจื•ื›ืช ื”ืื•ืกืฃ ื”ื™ืฉืจืืœื™ ืฉืœ ื”ืžื•ื–ื™ืื•ืŸ (ื”ืคืจื˜ื™ื ืœืงื•ื—ื™ื ืžืชื•ืš ืงื˜ืœื•ื’ ื”ืชืขืจื•ื›ื” "ืื”ื•ื“ ืคืงืจ-ืงื ื” ื”ืžื™ื“ื”" (ืื•ืฆืจืช: ืื™ืจื™ืช ืœื•ื™ืŸ), ื‘ื™ืช ื”ืืžื ื™ื, ืชืœ ืื‘ื™ื‘, 2022).

ืฉื™ืจ ื›ื”ืŸ (ื . 1999) ื—ื™ื” ื•ื™ื•ืฆืจืช ื‘ืชืœ ืื‘ื™ื‘. ืืžื ื™ืช ืจื‘ ืชื—ื•ืžื™ืช ื”ืขื•ืกืงืช ื‘ืคื™ืกื•ืœ, ืจื™ืฉื•ื ื•ืžื™ืฆื‘. ื‘ื•ื’ืจืช ืชื•ืืจ ืจืืฉื•ืŸ ื‘ืžื—ืœืงื” ืœืืžื ื•ืช ื‘ื”ืฆื˜ื™ื™ื ื•ืช ื™ืชืจื”, ืžื›ืœืœืช ืฉื ืงืจ ืœื”ื ื“ืกื”, ืขื™ืฆื•ื‘ ื•ืืžื ื•ืช (2023); ืชื›ื ื™ืช ื—ื™ืœื•ืคื™ ืกื˜ื•ื“ื ื˜ื™ื ื‘Universitรคt der Kรผnste Berlin, ื‘ืจืœื™ืŸ (2022) ; ื”ื—ืžืžื” ืœืืžื ื™ื ืขืฆืžืื™ื™ื, ืฆื‘ืข ื˜ืจื™ (2024).

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